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Logic pro x tutorial techno

Logic pro x tutorial techno

Dial up the Fifth Sequence preset. We like the sound with its noise element but think we can make it better. You can hear that it already sounds better — with added delay — but not quite right.

Note how the preset sounds a little raspier and with a much quicker attack.

Add A Technical Flair To Your Techno Percussion In Logic Pro X

This makes the delay far more manageable but also more noticeable. Time to use the Amp Envelope trick again. Take the decay time up to 0. The sound is a lot more in your face. Be updated with all the latest news, offers and special announcements. Subscribe now and receive a free chorus plug-in! We provide insight and opinion on the gear, tools, software and services to enhance and expand the minds of music makers and listeners. Sign in. Log into your account. Forgot your password?

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logic pro x tutorial techno

All Competitions Events Gear Industry. Will Betts - 9th April New Instagram challenge invites you to try a different approach each day to stay inspired. Ski Oakenfull builds up the famous bouncy beat from the bottom, showing you how he does it every step of the way.

Songstats is a nifty tool that lets artists track their progress Sam Willings - 9th April It may be one of the most iconic drum machines of all time but is this trailblazer still a recommended purchase? Recreating the classic tones of yesteryear is fast becoming a hallmark of this hot Texas company.

Will its new take on vintage mix-bus compression receive a warm welcome or a frosty reception? Standby for ignition. All Awards Gallery Interviews Opinion.Our project template for Logic Pro X will place each sound under your control as you deconstruct every process used to craft this piece.

Download Quantum today and dive deeper into the mechanics of sound. You will also need to have Arturia Mini V3. Version 3. What's your refund policy? Due to the nature of digital downloads we offer refunds on a case-by-case basis. If you have find any issues with a product get in touch within 14 days and let us know. By completing a purchase you agree that the issue of a refund will be made at the sole discretion of the Audiotent Staff and that all decisions made by the Audiotent Staff are final.

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Logic Pro X Tutorial – Adding Movement To a Preset With The LFO

How do I pay? You can pay for your purchase online with either your credit card, debit card, or PayPal. What Do You Need? Logic Pro X v Native Instruments Massive v1. Arturia Mini V3. Frequently Asked Questions What do i need? To be able to use this project file you will require Logic Pro X v Eligibility A refund is eligible for 14 days from the date of purchase found in your Order Confirmation Email. Simply add to cart and follow the instructions at the checkout.

Download a selection of sounds from the pack. Download a selection of samples from the pack. Download 10 samples from the pack. Download 10 snares from the pack. Download 10 hi-hats from the pack. The Ultimate Guide to Kick 2.

logic pro x tutorial techno

Enter your email below. Download the FREE samples. Want free samples, exclusive offers and production tips?In this part of the Logic Pro X creative synthesis series we use the envelope as an effect. You can go as low as one if you want the sound to be a little more wonky.

Instead play with the filter envelope to introduce a little rasping and nudge the Filter FM dial slightly to the left. Dial the Shape Modulation rotary to the left and Vibrato dial right for some subtle wobbling. Increase the Release time of the Amp Envelope to 0.

logic pro x tutorial techno

Be updated with all the latest news, offers and special announcements. Subscribe now and receive a free chorus plug-in!

We provide insight and opinion on the gear, tools, software and services to enhance and expand the minds of music makers and listeners. Sign in. Log into your account. Forgot your password? Password recovery. Recover your password.

All Competitions Events Gear Industry. Will Betts - 9th April New Instagram challenge invites you to try a different approach each day to stay inspired. Ski Oakenfull builds up the famous bouncy beat from the bottom, showing you how he does it every step of the way. Songstats is a nifty tool that lets artists track their progress Sam Willings - 9th April It may be one of the most iconic drum machines of all time but is this trailblazer still a recommended purchase? Recreating the classic tones of yesteryear is fast becoming a hallmark of this hot Texas company.

Will its new take on vintage mix-bus compression receive a warm welcome or a frosty reception? Standby for ignition. All Awards Gallery Interviews Opinion. We catch up with the good doctor to talk production, studio life in Australia and more. The house producer and DJ focuses on what works for him and has a studio that gives him maximum comfort. Apple Logic Pro. Easily bring your mixes to life by step sequencing filter cutoff, reverb depth, delay times and more.

PreSonus Studio One. How to master your tracks with Studio One MusicTech. Here, we cover how the flexible workstation can help you master them. All Buyer's Guides Essential Guides.Taking your techno percussion to the next level is all about experimentation. Here, Alex Holmes continues his adventure into the more playful elements of percussion. If you missed it check out his guide to house percussion. Syncopated patterns work well with the hypnotic nature of techno.

Take a loop and chop out an uneven number of beats such as 3, 5, 6 or more, then loop this section so the repeat lands in different places. Next add an Enveloper to the percussion loop or percussion bussbut this time take down the decay to create a tighter groove. You can then automate it back in over time to build intensity alongside your other elements.

We can add further movement and character with an AutoFilter. For a more synth-like sound, experiment with the Envelope Follower, but we like to use a slow sweeping band-pass with some dry signal blended back in.

Genre Focus Tutorial: Producing Techno Part 1

You can build up more complex grooves using delays. Add a Tape Delay, switch the sync off and then automate the Amount and Time to create movement. Filter and modulate the Wet signal for added character. Alternatively, try automating the Filter dial on the Ringshifter, but be careful, as a little goes a long way.

If your groove gets a bit complex, a bit of kick-drum side-chain pump at the end of the chain helps pull things together. You can be quite heavy handed to help control all the movement and automation changes. A fast attack can control rogue transients. Techno know-how As far as techno is concerned, anything goes. Be playful with your effects with delays and filters to evolve your loop over time, using automation. Try big reverb swells and slightly off-kilter delay times, as these can create tension that can then be resolved.

Take a whole percussion loop, then switch on Flex for the track and set it to the Speed algorithm. Now try quantising the loop using different settings, which will change the pitch of certain hits. Next, add a Space Designer and select a short reverb, then Bounce in Place to create a new region. Do this a total of four times using different reverb IRs with different lengths, so you have four bounced regions. You could reverse or double up on some hits to add more variation, and maybe try opening out the loop over 8 or more bars.

We decided to pick a couple of hits to do a Speed fade, to add more pitched movement. You can send these tracks to a buss, or bounce down to a single new region. Be updated with all the latest news, offers and special announcements. Subscribe now and receive a free chorus plug-in!

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We provide insight and opinion on the gear, tools, software and services to enhance and expand the minds of music makers and listeners. Sign in. Log into your account. Forgot your password? Password recovery.

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Recover your password. All Competitions Events Gear Industry. Will Betts - 9th April New Instagram challenge invites you to try a different approach each day to stay inspired.Be updated with all the latest news, offers and special announcements. Subscribe now and receive a free chorus plug-in! We provide insight and opinion on the gear, tools, software and services to enhance and expand the minds of music makers and listeners. Sign in. Log into your account.

Forgot your password? Password recovery.

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Recover your password. All Competitions Events Gear Industry. Will Betts - 9th April New Instagram challenge invites you to try a different approach each day to stay inspired. Ski Oakenfull builds up the famous bouncy beat from the bottom, showing you how he does it every step of the way. Songstats is a nifty tool that lets artists track their progress Sam Willings - 9th April It may be one of the most iconic drum machines of all time but is this trailblazer still a recommended purchase?

Recreating the classic tones of yesteryear is fast becoming a hallmark of this hot Texas company. Will its new take on vintage mix-bus compression receive a warm welcome or a frosty reception?

Standby for ignition. All Awards Gallery Interviews Opinion. We catch up with the good doctor to talk production, studio life in Australia and more. The house producer and DJ focuses on what works for him and has a studio that gives him maximum comfort. Apple Logic Pro. Easily bring your mixes to life by step sequencing filter cutoff, reverb depth, delay times and more.

PreSonus Studio One. How to master your tracks with Studio One MusicTech. Here, we cover how the flexible workstation can help you master them. All Buyer's Guides Essential Guides. Buyer's Guides. Music production deals to help you make music at home Sam Willings - 10th April Best free mobile apps for music-making MusicTech.

Sound for the screen: 5 essential toolkits for sound design Jono Buchanan - 27th March Get to grips with Step FX in Logic Pro X Easily bring your mixes to life by step sequencing filter cutoff, reverb depth, delay times and more.

Sam Willings - 10th April Read more. Become an exporting expert on Logic Pro X Jono Buchanan shows us the best practices to follow when bouncing out finished projects to avoid errors in the audio file. Sam Willings - 3rd April Just follow these quick steps to learn how it's done and avoid some common pitfalls.

Jono Buchanan - 31st March Here's how to build a perfectly tailored template project in Logic Pro X that will keep you focused on creativity and speed up stem creation.

logic pro x tutorial techno

Jono Buchanan - 30th March Setting up a Template project with a few tweaks here and there could save you time in the future and increase your workflow. Because if you follow this tutorial, you should have to do everything just once and then hopefully your future production life will be easier. This is an ideal scenario for the majority of us who use Logic Pro X in the same way and for the same kinds of music production, whenever we boot the software up to compose.

So stick with us while we guide you through the process of setting up a project, tailoring it to suit you and your music, creating templates and speeding up your workflow. And if you are an experienced user, who knows, you might see Logic in a new light, and you might save time too. Focus On — Your Audio Interface You will need a decent audio interface when recording with Logic and our tutorial helps you assign and set up a Template project for use with one.

You can get really simple ones that allow a couple of tracks to be recorded and played back, or complex multi input and output interfaces that allow entire band performances to be recorded into Logic for editing later.

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We will create a new Template file…. Select your audio input device and sample rate from the drop down menus on the left. Similarly you want the main outputs of Logic linked to the speakers that you have connected to the outputs of your interface.

All of this is included and you should only have to do this here very often it will already be set up for you.

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In this case we want this track to be our record input so have assigned it to 1 on the Saffire. In our case we simply have the mono input from a synth.

Here they are shown as channels 1 and 2 out. Our main inputs and outputs for our project are now set and our interface assigned. If we hit the mixer icon top left we can see our track and its Input is set to channel 1 on our interface. This tutorial is endorsed by Point Blank. You can study sound to picture on their Music Production Diploma courses, with pro industry tutors.

Be updated with all the latest news, offers and special announcements. Subscribe now and receive a free chorus plug-in! We provide insight and opinion on the gear, tools, software and services to enhance and expand the minds of music makers and listeners. Sign in. Log into your account. Forgot your password? Password recovery. Recover your password. All Competitions Events Gear Industry.One of the most intriguing aspects of working with a DAW is the blurred line between the software working as a production tool and as a musical instrument.

In many ways, the combination of virtual analogue instruments, samples, audio effects and mixer in Logic Pro X could be seen as one giant synthesizer, capable of producing a range of different sounds. Our starting point, therefore, is a simple instance of the Vintage Electric Piano patch, which works well given its pure, organic sound. The interest in the patch comes from the application of effects, with two unique points to note.

Firstly, the effects are all initially applied pre-fader so that the level of the instrument source is completely independent to the levels of reverb, delay and pitch shift returned into the mix.

Indeed, we can even turn the instrument fader completely down and have an output solely based on the effects. The second interesting facet of the use of effects is the use of a feedback path between them, so effects feedback between themselves. The result is a dynamic amalgamation of all three effects; the delays bounce between one another, for example, rather than use an internal feedback option or, in the case of the Pitch Shifter, the entirety of the output is fed back into the Reverb before that too is sent back into the Pitch Shifter.

This mimics the creative use of effects using a console, where the desk becomes an integral part of the feedback routing between the effects. The feedback routing is created by bus sends on the individual aux return channels, and also by some effects in this case, the Pitch Shifter having its output routed directly to the reverb.

Something as simple as a ping-pong delay, therefore, can be created by the output of a delay of the left channel being sent to a delay on the right channel, which in turn feeds back its signal to the original delay line. The regeneration of the delay, therefore, is defined by the relative send levels, so that high send levels result in a longer amount of regeneration.

This forms a useful contrast to the relatively bell-like purity of the Fender Rhodes and adds a sense of texture to the effect. One final important component to mention, of course, is the ChromaVerb plug-in, which uses Reverb as the body of the pad sound. ChromaVerb has two key points worth picking up on. Firstly, the reverb tail extends comfortably to 30 seconds or so without becoming too grainy or ringy in its later stages.

The addition of the Pitch Shifter helps lift the reverb above the original input, providing an angelic-like shimmer to the effect. We start with a basic Vintage Electric Piano patch on Instrument 1. Create a mono instance of Tape Delay on the newly created aux channel.

The application of Flutter, via the Modulation section, creates a degree of pitch-drift. Create a new bus send from the aux channel on Bus 2. Insert another instance of Tape Delay on the newly created aux. Cut and Paste the original delay setting over to the next plug-in, but this time adjust the Flutter Rate and Flutter Intensity so that the pitch modulation differs.